Monday, July 30, 2012

Alex Mitchell: Come the revolution


Alex Mitchell’s memoir Come the revolution (New South, ISBN 9781742233079) is an interesting reminder of a past I had hoped I had forgotten. Mitchell, a renowned Australian journalist possibly best known these days for his long-running political column in Sydney’s The Sun-Herald, travelled to the UK in the late 1960s. First, he worked on Fleet Street papers, then on television. However, a commitment to Marxist philosophy led him to join a Trotskyist group, the Socialist Labour league, later the Workers Revolutionary Party. This organisation imploded dramatically in 1986 when its leader, the demagogic Gerry Healy, was accused of sexual indiscretions.
Mitchell’s experience resonated with me. In late 1973 and 1974, I was involved in the Socialist Youth Alliance, the youth group of the Socialist Workers League. This was a small group of people whose Marxist philosophy purported to follow the directions set by Leon Trotsky. The group met in their headquarters at 167 St Johns Road, Glebe. In 1974, influenced by my then partner, who vacillated between charismatic Catholicism and Trotskyism, I had a brief dalliance with the Socialist Labour League in Australia, which was vehemently opposed to the Socialist Workers League, despite both groups claiming to be Trotskyist. I’m afraid, but not ashamed, that I exhibited a middle-class reaction to the Socialist Labour League’s zealous practices and methodologies. I didn’t want to be roused out of bed early on Saturdays to sell the Workers News to disinterested train travellers. I loathed the endless political discussions, eventually being expelled from one that was being held in some suburb miles from where I lived. The long walk home was welcome: it was, if you like, my long walk to freedom. I happily renounced any form of Trotskyism.
It was a small world then. A few years later, I was living with my new partner at 184 St Johns Road. One day, walking with friends back home along Jarocin Avenue we were engaged in bawdy repartee with a group of young men on a first storey balcony. One of these was Stephen Kirby, who invited me up to meet him. Despite the fact we were both in relationships, we commenced a highly passionate affair that lasted a number of years, even after Stephen moved back to Melbourne. When I was down there on business in the early 1980s he would come to my hotel and we’d enjoy each other’s company. Stephen edited Outrage and came to Sydney when the company behind that journal took over the Sydney Star Observer, then evolved that into the community organisation which currently runs it and of which I was an inaugural board member. Stephen died of AIDs in 1994. He wasn’t a Trotskyist. I mention him only because I think of him every time I am in Glebe and I also remember my brief flirtation with Trotskyism. I miss him.
Alex Mitchell did not have a flirtation with Trotskyism. He married into the creed. I use that word because it exemplifies the almost blind devotion to their beliefs that so many Trotskyists have. Only they have the truth. Only they can lead. They are not very different from evangelical Christians in their devotion to their core beliefs. And yet, their numbers have ever been pitifully small, their influence by and large negligible. Though Mitchell writes an exciting and often moving account of his involvement in the activities in Britain of what became known as the Worker’s Revolutionary Party, the truth is that party was always marginal in the British political context, despite it recruiting high-profile members such as Vanessa and Corin Redgrave.
I met the latter when he came out to Australia in the late 1970s to support the activities of the Socialist Labour League here. Though I was no longer a Trotskyist, there were elements in the Australian Labor Party, of which I was then a member, which were in contact with the SLL. Bob Gould, the bookshop owner, and George Petersen, the maverick member for Wollongong in the NSW Parliament, were the leaders of a far-left ALP faction and Corin Redgrave addressed members of that group, me being one, in a room above Gould’s bookshop in George Street.  The site is now a tower for some capitalist enterprise on the corner of George and Bathurst Streets. All I recall of the evening is boredom, but of course I wasn’t very dedicated to the cause.
My recollection of the SLL in Australia is dominated by bullying. Leadership consisted of badgering and intimidating members. In this, the party leaders claimed to be following the model set by Gerry Healy, the man Mitchell writes most about. I found the Healy leadership model repugnant. Mitchell obviously had an admiration for the man, but Healy still emerges from this book as an abrasive and unpleasant character.
This book is a fascinating account of how an otherwise sensible man could fall under the spell of a thug like Healy. I encountered Healy’s avatars in Australia and rejected them and their politics. I decided that they were crazy. Mitchell spent the best part of two decades closely involved with the work of these crazies, and he still embraces the tenets of Trotskyism, even though he is no longer a card-carrying WRP member. I admire his ability to tell the story of the WRP and his role within it, but I also wonder what he might have done as a journalist if he was not caught up in Healyism.

Lisa Heidke: Stella makes good


Once again, Lisa Heidke entertains with a chick-lit romp set on Sydney’s North Shore, Stella makes good (Arena/Allen & Unwin, ISBN 9781742378671). Heidke’s writing matures with each new book; this is her fourth. Her characters are aging, no longer fancy-free and set on having a good time, but married with children and husband problems.
Stella’s marriage is in trouble. Her husband has moved out. Out for drinks with the girls, and being chatted up by an attractive doctor, she agrees to go to a party in of all unlikely places conservative suburban Turramurra. This is a place where I lived for a semester or two while at university. I only lived there because it was relatively close – in kilometre terms – to Macquarie University. Turramurra has none of the raffish charm and bohemian loucheness of Glebe or New town which are within walking distance of the University of Sydney. Turramurra is respectable. For this very reason, I used it as a setting myself in my book Music from another country. Today, I shop at Coles there every six weeks when we come back from having our hair done in Terrigal (as everybody does). I have to dodge the walking frames and scooters in the aisles. The suburb has an aged population. It is not the place where ! would imagine a sex party taking place, but Heidke sets one going there and her description of the street and the house makes it very believable. I’m sure I’ve walked past the place. If only I’d known what was going on inside. Turramurra would have been far more interesting.
Stella goes to the party to protect a friend who has had too much to drink. But she sees the husband of another friend there in nappies and crawling on the floor. She leaves, but the nasty nappie wearer starts harassing her. The story evolves
The North Shore has many secrets, and Tony Abbott is the least of them in this complex and humourous book. Heidke is developing into one of Australia’s most accomplished arbiters of manners and morals. I’m looking forward to her next book.

Wednesday, June 6, 2012

Republics of letters: Literary communities in Australia

Republics of Letters: Literary Communities in Australia, edited by Peter Kirkpatrick and Robert Dixon, has just been published by Sydney University Press (ISBN 9781920899783). I have a chapter in this book looking at the place of G.M. Glaskin within the Australian literary community. The book covers a range of topics. Nicole Moore and Christina Spittel look at translations of Australian literature in the German Democratic Republic. Robert Dixon asks whether Australian literature is a world literature. Ann Vickery examines Australian gay and lesbian poetry. Lachlan Brown considers the writing of young refugees in Western Sydney. And there is a great deal more in this thought-provoking volume.

Friday, December 9, 2011

Rick Stein at Bannister's

Recently, my partner and I were in Mollymook on the South Coast of New South Wales and decided to have a meal at Rick Stein at Bannister's. Rick Stein is an English chef who has had some success with television series. He appears to specialise in seafood.
We arrived at the restaurant on time and we were shown to our table. My seat was faced away from the view and my partner's seat was on a banquette running along the back of the room. The table was set out as one would expect of a restaurant claiming to offer top of the range service and food.
The service was attentive. We had menus and water -- just tap water; we refrained from the Rick Stein carbonated water -- within moments, along with a small bowl of olives. I ordered a sauvignon blanc ($42).
The first intimation that all was not well was when the wine waiter brought a bottle of riesling. It was not even from the same vineyard as the sauvignon blanc I had ordered. It was quickly replaced however.
We'd both ordered oysters as entrees -- my partner half a dozen natural, while I ordered a speciality that cost extra but came with chili sausages. A big fuss was made of placing pillowed plates before the both of us, this being necessary, we were told, as the oysters were served on a platter of ice.
Indeed, that is the way my partner's entree was served. Mine was not, requiring the removal of the pillowed plate. Also, I questioned the fact that I had only five oysters. I was told my dish comes with only five, despite having a higher price than half a dozen.
Anyway, the oysters were fine, as they should have been for the price ($24 and $27).
I'd ordered the fish pie and my partner barramundi (both around $40). The fish pie was disappointing. It consisted of two prawns, two scallops and bits of fish placed in a soup bowl, covered with a sauce (pleasant enough but lacking wow factor) and bread crumbs, then grilled. My partner found the barra ordinary, even the mash mixed with broad beans and peas. The dishes were edible, but expensive, we felt. We also had a green leaf salad, which was unremarkable
This happens at restaurants from time to time. Dishes don't live up to their potential.
We decided to end with a cheese platter, a port (for me), a Baileys (for my partner) and coffee.
Here is where the restaurant went from disappointing to annoying. The coffee and drinks, along with petits fours, came out and were placed on the table within moments of being ordered. We protested we had cheese to come. The waiter, to his credit, made inquiries, but the cheese failed to emerge for another seventeen minutes, just as we were about to cancel it. We were served the cheese with apologies and the advice that, if we wanted it before our coffee, we should have specified that.
Hmmm. I have never been served coffee before cheese anywhere else in the world.
Our conclusions? Very ordinary service and food.

The Creativity Market

The Creativity Market, edited by Dominique Hecq, will be published in March 2012. My chapter in the book is titled "The publishing paradigm: Commercialism versus creativity".

http://www.multilingual-matters.com/display.asp?isb=9781847697097

Antipodes: "In a Vietnamese cafe on Rosa Luxemburg Strasse"

My creative non-fiction work "In a Vietnamese cafe on Rosa Luxemburg Strasse" will be appear in the December issue of Antipodes.

Wednesday, September 28, 2011

Where do you think you are? Writing Australia

Arts New England: Centre for Research and Innovation in the Arts will be presenting a symposium on 15 November, 2011, to consider the development of an Australian identity in and through Writing (defined as a process of creativity unlimited by form, linearity or mode). The symposium will explore a range of ways in which Australian writing has evolved and is evolving.
Guest speakers include:
Angelo Loukakis, Executive Director of the Australian Society of Authors, has worked as a teacher, scriptwriter, editor and publisher. He is the author of the fiction titles For the Patriarch, Vernacular Dreams, Messenger, and The Memory of Tides. He has also written a number of non-fiction works, including most recently a book of the SBS television series Who Do You Think You Are? His collection of short stories, For the Patriarch, was winner of a New South Wales Premier’s Literary Award. Angelo Loukakis is a past member of the Literature Board of the Australia Council and chair of the New South Wales Writers’ Centre. He has taught writing, publishing and editing subjects at UTS and the Australian Catholic University. His latest novel, Houdini’s Flight, was released in 2010.
Lisa Heidke, author of Lucy Springer gets even (2009), What Kate did next (2010), and Claudia’s big break (2011). Lisa will speak on the challenges of writing chick-lit.
Sophie Masson, Chair of the Australian Society of Authors and former member of the Literature Board of the Australia Council for the Arts and author of more than fifty novels for young people. A graduate of UNE, Sophie is published in many countries. In 2011 her historical novel, The Hunt for Ned Kelly, won the Patricia Wrightson Prize for Children's Literature in the NSW Premier's Literary Awards, while her alternative history novel, The Hand of Glory, won the Young Adult category of the 2002 Aurealis Awards for Science Fiction and Fantasy. She has also had many books shotrtlisted for various awards, written several novels for adults, and four thrillers for teenagers under the pen-name of Isabelle Merlin. Her short stories and essays have also been extensively published, in print journals in Australia, the UK, USA, and online in many different publications and blogs. Sophie will speak on French-Australian identity
Papers for the symposium are sought on the following themes:
Context and environment
· Indigenous matters
· Censorship, legal, moral and ethical problems
· Expatriate writing
· Outside looking in, or inside looking out: other tongues and accents
· Syllabus studies
· Historiography
Industries, products and production
· Publishing and its products
· Writing and new media
· Popular culture – newspapers, magazines, pulp fiction, TV/film, music, theatre
· Careers
Processes
· Individual/collaborative/community
· Technology
· Shapes/forms/structures
Modes/Genres
· Biography/Romance/Horror/Crime etc.
· Narratives without words
· Professional writing
· Advertising/Public relations
In the first instance, submit a 300 word abstract of your proposed paper by 17 October to Dr Jeremy Fisher jfishe23@une.edu.au